The love that Heathcliff and Catherine experience is pure and true. Though she means no harm in what she is saying, the current differences between the two are so obvious now that she has been reformed, that the girl cannot help but take note. From his arrival, nearly all the inhabitants of Wuthering Heights treat young Heathcliff disdainfully and as “the other” who has intruded into wealthy enclave. This is not an example of the work written by professional essay writers. BrontÃ« refers to Catherine’s fingers as “wonderfully whitened,” and therefore something to be proud of rather than animalistic and unclean like Heathcliff’s hands had been from tending to the horses of the Heights. After a little girl follows him […], “O divine power, but lend yourself to meSo that I may show the shadow of that blessedKingdom which is embedded in my brain”The above passage is excerpted from Canto I […], Toni Morrison novels famously give voice to a black political, social, and moral conscience. It is Hindley’s view of Heathcliff as “a usurper of his parent’s affections and his privileges” that makes Hindley “bitter”, a bitterness which will go on to make both Heathcliff and Cathy’s lives unlivable. Shortly after this, the “pure” Earnshaw child is taken into the Linton home, and Heathcliff is turned away like an orphaned animal and left to run back to Wuthering Heights alone. Heathcliff is told to shake her hand and reacquaint himself “like the other servants,” again instituting the concept of Heathcliff being “the other,” as well as not worthy of introduction with the rest of the family with whom he has grown up. Get tips and ideas in OUTLINE. It was the destructive love of Cathy and Heathcliff that exulted in otherness, defied religion, overpowered death, and was as wild as the moors. On the other hand, they are hardly aware of what they have; all the troubles begin when they discover the big coulourful world in all its varieties. Interestingly, the intergenerational nature of the Gothic is upheld when Nelly says of the amorous Catherine and Hareton “together, they would brave Satan and all his legions,” a line reminiscent of the devil-flaunting love that burned in Heathcliff. The shockingly quick division between two promising soulmates by something as seemingly paltry as aesthetics suggests to the reader that perhaps the bond between the two was not entirely strong in the first place. Heathcliff gets away unscathed, but Cathy is not so fortunate. Subsequently, the differences in class and appearance between the “proper” characters of the novel and the adopted Heathcliff are emphasized in the different characters’ language and tones during conversation. As exemplified with the passage about the souls, Cathy never really explains what it is that makes her and Heathcliff so similar and so in love, and yet their connection is almost omnipotent. Catherine declares, famously, “I am Heathcliff,” while Heathcliff, upon Catherine's death, wails … If you disable this cookie, we will not be able to save your preferences. Heathcliff and Catherine's independence leads them into trouble. Heathcliff and Catherine make an ill-advised attempt to spy on the Lintons in Thrushcross Grange. Are you interested in getting a customized paper? Cathy’s recount of her dream vividly elucidates the uncertainness of her relationship. They plan to live at the Grange, rejecting Cathy and Heathcliff’s hell on Earth for a symbol of heaven. One can argue that Heathcliff’s position as Earnshaw’s favorite, which arises either from the transgression of Earnshaw’s infidelity or from the equally liminal position as an abandoned and ethnically different orphan, triggers the cycle of jealousy and abuse that runs throughout the novel. Having trouble finding the perfect essay? Attention! The dialogue between the two is strained, as well, as Catherine attempts to rekindle their friendship and closeness upon her arrival, while Heathcliff continues to mope. To export a reference to this article please select a referencing style below: Sorry, copying is not allowed on our website. Catherine does not do this; rather, she looks for love in Linton. This essay has been submitted by a student. These devices and language use serve to develop one of Wuthering Heights’ central themes of the ruin of a pure, beautiful and seemingly indestructible bond by others’ institution of social stratification. They don't 'love' each other, nor are they 'obsessed' with each other, they simply NEED each other to survive, they are soul mates, two halves of the whole. The suggestion arises, then, that this difference comes from the differences in their lineage and race. 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